10/31/09


day of the dead 2009

10/30/09





L’Architecture mobile 1958 by Yona Friedman

10/29/09

10/28/09






berlin wall 1961 via routine investigations

10/27/09







'ritratti di fabbriche' Gabriele Basilico's photo lesson

10/26/09



folding tables as paintings on the wall


constructivism chair well constructed

creations in clay and recycled furniture chg workshop

10/25/09

le ciel, le soleil et la mer






'Je trouve en pleine page du dernier numéro de la revue Citizen K une photographie de Le Corbusier nu. On sait que l'architecte aimait prendre le soleil, sentir sur lui les bises marines mais on sait moins qu'il fut adepte d'une technique picturale dégagée de toute entrave vestimentaire. On sait aussi que les balcons de la Cité Radieuse offrent des garde-corps permettant un effeuillage complet sans risque que la voisine ne puisse voir votre intimité dans ce qu'elle a de plus cru'. via architectures de cartes postales

10/23/09




more of giovanni sacchi archived models, his workshop is now open as a design museum in milan and available also online

10/22/09





robert adams 'new west' part of "new topographics: photographs of a man-altered landscape" at lacma oct 25.

10/21/09




bertelli nyc



giovanni sacchi's model-making workshop was an important point of reference for many italian master designers and architects including, aldo rossi, vico magistretti, enzo mari,achille castiglioni, ettore sottsass and marco zanuso. more at designboom

‘Irving Penn’s Studio,’ Paris 1950

Wishfull thinking. Opening October 25 the Los Angeles County Museum of Art presents a restaging of the landmark 1975 exhibition "New Topographics: Photographs of a Man-Altered Landscape". Photographs by Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore, and Henry Wessel, Jr. Not to be missed.




The new Industrial Parks by Lewis Baltz was published as a limited edition book by Leo Castelli in 1974. The project’s title evokes the sterile industrial architecture and uninhabited landscapes of Irvine’s industrial parks to a process of elegant and unsparing minimalism.